You wake me when it’s time to check in for the ferry -- the woman at the window is insistent in asking, /I.D.? I.D. Sir?/. I’m having a hard time clearing my head, but it starts to sink in... the reservation! my license! I bridge up to fish my wallet out and lean across you to hand my license over to confirm our reservation. She looks at it briefly, then peers down into the car to see it’s really me -- I wave back. She hands the license back down to you, saying, /You’re set for the 10 o’clock. It’ll start boarding in about 10 minutes./ I check my watch and reach to get my license back. You hold it up to look at it in front of me, looking back and forth between it and me, finally raising an index finger at your conclusion and then reaching over to try and smooth my hair down. It’s no use -- you head for plan B, reaching into the back seat for my cap and pulling it onto my head. You hold the license up again, give a thumbs up, and hand it back.
The next two hours find me mostly asleep still. I drag myself up to the cabin of the ferry. You push me in to the inside end of the booth bench against the wall, and slide in alongside to keep me from slouching over. Handing you my notebook, I put my head down on the table to sleep. You’ve finished what’s there of the next couple pieces when I stir, trying to reach up my back. Reaching for, but missing. Trying to reach higher. Switching to try to reach over my shoulder and down instead, but still not getting there. You put the notebook down to put your hand between my shoulder blades and scratch. I shift and squirm under your nails to get you to just the right spot. Mmmm. I thump my foot on the floor and we grin at the joke.
You open the notebook up to a page and circle a passage ("It wasn’t a circle, it was a heart." You like that one, eh? "Yeah, but the beginning doesn’t fit right with it." I know, I should split those two ideas up and use them in separate pieces. "The beginning should wait for a spring piece -- pull that circled..." Hearted. "...right,
hearted part to put in something for now." Hmm, yeah, that’s good, as soon as I get some time...). The air horn of the ferry snaps me wide awake for a second, but I start to sink back until you’re snapping your fingers in front of my face. I blink myself awake, wiping some condensation off the outside of my ice water glass to rub on my face. While I rub my eyes, I get an impression of your making a quick move with your fingers into the glass. Turning to reach back into the seat for my cap, there’s a tug at the back of my collar and the sudden rush of ice cubes down my back. I jump up and wiggle, grabbing at my shirt tail to shake the cubes out ("You owed me from skipping the touchdown dance." You can say that, but that won’t help you escape from the payback. "What might that be?" All I can say is, when you least expect it,... expect it. "OOOoo, now I’m
so scared."). Now I’m awake, spinning around to face you. You reach your hand out with the keys. I wag a finger at you with eyes narrowed, then snatch them from you, tossing them up slightly and snatching them again out of the air.
Almost arrived now. After disembarking, it’s only a few minutes before we’re pulling up the drive of unit NP32. You fish the envelope out of the glove compartment and drop the keys out. The envelope says Minnow (We may end up castaways. "I’m not the Skipper then." I’m not Gilligan either. "No, maybe the professor..." Maybe we’re the Howells. "Not in
this car, I don’t think.") I pop the trunk and open the back door. You grab two bags out, one yours and one mine, hop up the steps and let yourself in. I get to the trunk, shaking my head as I notice you took the two lightest bags ("Whatsa matter? Which ones would you have given me?" Well, the lightest ones. "So are you upset about getting your way?" Yeah, I’m stupid like that sometimes. "Did you need me to make some show of appreciation for your work?" Maybe? "Okay, I’ll put something together for you..."). I get to the top of the steps with the cooler and the big duffel and the backpack. You skip out onto the porch, rapidly clapping your hands together, then clasping them together next to your cheek, batting your eyelashes with an exaggerated my-hero look ("Something like that?" From now on, let’s just agree, you get the little bags and I’ll get the big ones and then you won’t have to ridicule me like that. "Aww, don’t get mad." Yeah, how’d that happen:
now I’m mad about getting my way -- I really do need this vacation. "You certainly slept like it." Okay, I know what the next important step is...). Overacting anger as much as you did gratitude, I take your hands from your cheek. Holding your hand still, I take your watch off and march into the kitchen with it to drop in a drawer, followed soon by my own watch. Reaching into my pocket, I pull out my cell phone, turn it off and drop it in too. You quick grab yours out of your purse to turn it off and toss it in. Drawer slammed shut.
The silence as we let relaxation settle in leaves room for the sound of gulls.
Most of the afternoon is left. We’d better get busy frittering it away. The porch is already shaded though. We try taking the rockers out onto the grass, but it just doesn’t work; mine sinks in too much. I wave you back up out of yours, place my books et cetera in your hands and start dragging both rockers down into the sand. You’re just shaking your head: no way is
that going to work. The pier out to the dock has got like a gazebo in the middle of it though, just big enough for two rockers with a small table in between them. Once I get the furniture all arranged, you plop down and hand me my book and notebook, and toss the pens at me. I leave the pens where they land in my lap and rock back to start reading from where the bookmark keeps my place about halfway through. You do the same. I get about three pages in: something’s not quite right, the story’s taken a slight turn, and the female character seems to have become more prominent, and something else... I turn to you to see you looking at me and holding up,... my book? I check the cover of the one I’m reading: similar cover design, similar main characters, similar plot, similar style, but different book. I trade you what must be
your book for mine. Before you open your book you hold my gaze with a mysterious look and hold your book up before me. You slip your thumb and forefinger inside the back cover, wait two beats for the suspense to build, then pull them back out holding... the puzzle from Sunday, which you present to me with a flourish. It’s blank, but the two longest across answers spaces are highlighted. You point to them, then to each of us, then back to them. Okay, I’ll play -- I start on the puzzle while you start reading...
The silence leaves room for the sound of the rockers creaking.
It takes me a while to get the second highlighted answer -- have to work all the way up to it from the bottom. I’ve got both now, but still don’t get it... oh! heh heh, that’s cute. I turn to show you I’ve worked it out, but you’ve fallen asleep.
I go back in the cabin to bring out snowman and two glasses of water. I pose snowman in my rocker like he’s reading from the notebook and take a few pictures -- just one of you sleeping ( "You didn’t. " Uh,
no, you’re right, I just made that part up... "You better not have." Would
I do that? "Where’s the camera? Have you loaded it on the computer yet?" I don’t know what you’re talking about... "It could be bad for you if I find out you’re hiding it." Okay, sorry, here. "Hey, I look good." Of course.). I give you snowman to cuddle and sit back down with the notebook to work on splitting up those two ideas and building out of the second one.
The silence leaves room for the lapping of the waves against the pier.
I go back inside to start to organize fixing dinner. The creak of the screen door alerts me to your return. You’ve brought the water glasses back in with you. You come to put them in the dishwasher and stand next to me at the counter just in time for my stomach to let out a growl. You step back in mock terror, interrupted by your stomach growling back. You shrug with hands held up, and surrender to helping me work preparing. You get out tomatoes, onions, peppers, chiles, cilantro, and a start chopping. I finish making the marinade and am digging around in the drawers looking for a basting brush. Maybe I’ll have to use a paper towel. I turn from the counter to go check on the grill when I feel a poke in my back. I turn back to catch another light jab from you with the handle of the brush. I touch my lips with the pads of the fingers of my right hand, then move my hand away from my smile, palm upward. You respond by touching your forehead with the index finger of your flat right hand, then bringing it down in a semicircle to touch your chest with your wrist. I leave you to your chopping to go check on the grill.
Hmm, gas grill, I guess it’ll have to do. The tank reads plenty of pressure, the valve opens well enough, the ignition button,... nada. Again,... nothing. Dag, I hate having to light these things with a match. I get the box of safety matches out of the kitchen, looking back to you over my shoulder with Wallace’s uncertain smile. Okay,... turn the valve to Light,... wait for a second or two of flow,... strike the match,... move it closer,... closer,... slowly closer,...
ow, damn, burnt my finger, dropped the match in, which lit the grill. I trudge back into the kitchen to get an ice cube out of the freezer. You pretend not to notice, but you’re lightly shaking your head in disbelief and shaking a bit with the laughter you’re holding back. You finally compose yourself and turn toward me, taking my hand to check on my finger. It’s fine, just needs another minute on an ice cube before I put the tuna on. You’ve finished the pico and are slicing pears when I head back out to the grill. I’m working on the tuna over the grill while I hear the clinking of flatware and dishes as you set the table. You come out to check on me when you’re done. A bead of sweat is heading down my forehead, but my hands are both busy turning and basting right now, so you move in to catch it before it can sneak past my eyebrow and I lean my head towards you as you do. The tuna’s still a bit clear, another couple minutes before it’s done.
While the tuna’s cooling, there’s time to fix that big salad. A big bowl out of the cupboard is placed between us on the counter. Each of us has a knife and a selection of vegetables, chopping and adding in. It turns out balanced well between crisps, colors, and flavors. I start to pick at it (I guess sleeping through lunch left me extra hungry. "Yeah, me too, but you don’t see me putting my hands in the food."), but my hand is chased away by snapping salad tongs. Next, the pointing of tongs directs me to the table before they serve salad unto our plates.
Dinner’s light but filling. I might have made too much tuna. I’ll put that in some foil, it’ll be good for picking at in the middle of the night. You’ve got half a bottle of beer left that you lift by the neck and wave towards me. Yeah, I could find some room for that.
After dinner, the silence leaves room for the blowing of the wind in off the sound.
Dishes clatter into the sink. I wash, then hand off to you to dry as we’re serenaded by the whooshing of the espresso maker finishing up, and the hiss of the overflow spilling out of the spout onto the burner. ("You mean you
still don’t know how much water to put into that thing?" It’s not science, it’s more of a guesstimate how much water, how much coffee. "Your guesstimate might be what makes it a gamble to drink." Well, I’m not usually in a scientific frame of mind pre-coffee.) You go back out on the porch, and I pour it into two cups for us, and try to get them fixed up right. You take yours with both hands, take a sip then put one hand to your throat to fake a gag. I just roll my eyes and sit to sip my coffee, which tastes just fine to me, not that you’re asking. You sit next to me on the stairs and take a extra long sip, rubbing your tummy to show your appreciation for it. (Was it okay? I think I’m getting better at making it how you like it. "Relax, I’m really not that picky about it.")
The breeze in off the sound is cool and brings the promise of night falling. The sky’s already got some purple to it, might be a good time to take that walk along the beach. I leave my coffee cup on the stairs, stand up, and turn back to offer you a hand. Your cup gets placed beside mine, and you take my hand and stand up. Our steps fall right in together without any need for holding tight, still there’s an extra squeeze for me that makes me grin and return one to you.
Darkness moves in quickly, and it gets chilly, but we’re in no hurry, walking close together and enjoying the quiet understanding we’ve come to appreciate better today. ("I’d play this game again -- maybe without having to get upset with each other first?" Yeah, I’d like it better that way too.) The quarter moon goes down over the horizon as we’re getting back to the cabin. You leave go of my arm, pick up the cups and head inside. I hear the cups clank in the sink as I check to make sure I turned the gas off on the grill. When I get inside, it’s pitch black. I feel my way around the room to the couch and plop down. You’re there already, leaning back, and now, over.
The silence leaves room for the sound of breathing.
Then, words again.
"What was it I was mad about again? I can’t recall."
Something I did.
"And you, what were you mad about?"
I don’t remember, nothing important compared to the rest.
"We okay now?"
Always were.
"Will you tell me a story?"
Of course, of course...